Modal Jazz Composition & Harmony Vol. 2

Kompositions- und Harmonielehre für Fortgeschrittene mit ausführlichen Kapiteln über Melodieführung und -Analyse, Reharmonisation und Pentatonischer Komposition, 141 S.

The goal of Volume 2 of ‚Modal Jazz Composition & Harmony‘ is to continue the dissemination of information that presents a path of study for the aspiring jazz composer. Where Volume 1 of the book emphasized the preparation of a modal harmonic foundation, this volume will introduce concepts of melody writing and a study of the styles of jazz compositions that are an intrinsic addition to the contemporary jazz composer’s repertoire. Also included are chapters on harmonization and reharmonization techniques – as many of the concepts presented reflect an influence of Gil Evans, Duke Ellington and Charles Mingus as well as those of Herbie Hancock – and on pentatonic tunes that are harmonized with a modal harmonic foundation. As with Volume 1, an appendix with additional peripheral information is included for the student desiring theoretical explanation and additional examples.

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